625#14.
Utter Bastard/ Deadbodieseverywhere- Split EP
Heard that it was planned and I had to jump in. DBE was fucking destroying live, and UTTER were refining their sound, so I was really stoked to be apart of it. 1000 total.

625#13.
Entropy – EP
I was in touch with them for a long time, and they had been self-releasing these pro-cassettes, so me and Figure Four thought it was about time they did some vinyl. Apart from the worst cover art you ever saw, the music is brutal and raw grindcore/hardcore. 1500 total.

625#12.
Excruciating Terror- “Live at Gilman” EP
Anybody who doesn�t think ET is the best grind band nowadays can go fuck off. They are the only band that even comes close to the From Enslavement LP. Well, so I went to their show, asked if I could tape them, and low and behold, the tape came out sick as fuck. I talked to them about doing it and they were stoked! One of my favorite bands of all time. 1500 total, 200 on red.

625#11.
Gorymelanoma/ Emetic- Split EP
My second attempt at putting out local death metal. EMETIC hail from the San Luis Obispo area but have been friends with the West Bay Coalition since day one. Their demo is so fucking great, but it was the only thing they ever recorded. They only had drums, guitar and vocals, and the recording they did was live in the studio. I thought it was brutal so we went ahead and used songs form that. GORYMELANOMA were this obscure South Bay band that had some demos but hardly ever played. They finally played and I asked em there if we could use some demo songs for a split. Thus it came to be. 1000.

625#10.
Godstomper – EP
First two splits they did were awesome (with CATHY AMES, then MISANTHROPIST), but the EP they did for me is still the best thing I think they did. The 4-track recording came out pretty heavy, so I was stoked. Another West Bay bass/drum/vocal unit. We did 1000 and there are 200 on red.

625#9.
Possessed to Skate- Comp LP/ Later Cd issue
This comp was my pride and joy. I love skating, I loved old THRASHERS with Puszone and MRR talking about skating. But those days were long gone, but I knew so many kids who fucking liked fastcore and skated. So what the fuck, I contacted bands that I knew were down, and put together this comp. I still think it’s the best comp I did. I compiled everything, and then PESSIMISER helped manufacture it. We did an initial 2000. Then a second press of 500, or maybe 1000. Then we did a CD version of 1000 with a final 500 vinyl repress. Here�s the catch though. PALATKA never wanted to be on a CD ever, and we did that repress with the permission of everyone but them (they were out of town at the time). SO here we did this comp and fucked up the ability of PALATKA to stay true to their ethics. I’m still bummed on that.

625#8.
Utter Bastard EP
Went into the studio and the engineer told us that he just recorded a band that sounded a lot like SPAZZ. Well, about 1 month later I get this self-released EP of some great fastcore from the Bay Area, from a band no one ever heard about. They mentioned they had no idea what they were doing, so I offered to buy there stock of vinyl, get some covers printed and put it out. Thus it happened. 1000 total, I believe there’s some red vinyl.

625#7.
El Guapo- Comp LP
A who’s-who of the early 1990s fastcore scene: EVOLVED TO OBLITERATION, APARTMENT 213, SHORT HATE TEMPER, S.B.C., PRETENTIOUS ASSHOLES, SPAZZ CHRISTMESS, REFORM CONTROL, NO LESS, DEADBODIESEVERYWHERE, MANCHURIAN CANDIDATE, STATE OF THE UNION, AGENTS OF SATAN, CHARLES BRONSON, PISSPOOR, ANSOJUAN, BENUMB, LACK OF INTEREST, POTATO JUSTICE, REMISSION, SLOBBER, NAILED DOWN and THE DREAD. First press = 1200, black and white cover. Second Press = 2200 copies, remastered with black and red cover.

625#5.
Agents of Satan – EP
One of the most brutal bands to come out of the West Bay. Rumors were bouncing around that there was this black-thrash band that was only bass/vocal/drums. I got the demo and was floored. I was so stoked to do their debut Ep, I think it was the best thing they did. They went on to do a bunch of stuff, all of its rules. 800 black vinyl, 200 red.

625#4.
Spazz/ Charles Bronson-Split EP
The main thing I like about doing records is working with people I love. Everyone in CHARLES BRONSON ruled (rules!), so this was more of a friendship project than anything else. I still think its the best CB stuff (the guitar tones rule on it), but I also think the Spazz stuff sucks so much ass that I wish we weren’t on it. I think it should have been a one sided EP personally. 450 with Yellow Cover (goat), 50 limited yellow covers with pit picture. 2nd press 1000, blue cover of Neil Blender.

625#3.
Plutocracy -“Dankstahz” LP
My first “problem” record. I guess you could say I�ve been caught up in a couple of damage-recovery projects, and this was the first. PLUTOCRACY (who I played drums for since 1989, and who just reformed in 1998) recorded this LP for Steve from ASSUCK’s label in 92, yet after two years, nothing happened. I called the pressing plant and found out that there were 500 LPs sitting in boxes down there, and that if I paid the invoice, they were mine. I cleared it with Steve, and asked Chris Slap-a-Ham to help me out. Only 500 of these exist, Dan from Spazz and I spent days handscreening the covers. Was later included on a Discography CD as well as released as a 10″ Lp in Europe.

625#2.
Morbid Life Society – Demo EP
This is an early example of a tradition I”m still trying to maintain�which is to release out of print, or over-looked hardcore. This specific case was to do a posthumous release from San Francisco’s MLS. I saw these guys open for VIO-LENCE and a ton of other thrash bands, and the funny thing was, they were too HC to fit in to the metal scene, and too metal to fit in the then-existing punk scene. This was their 2nd demo. I only did 300 of these, but I love it. Their first demo rules too, its more influenced by Bay Area thrash.

 
625#1.
No Less/ ETO-Split EP
The very first 625 release. Although I put out releases before this (976/Plutocracy split EP, etc), this was the first release as a label. The whole idea behind this was to document the explosion of brutal hardcore from the local West Bay scene. This split took tracks from both the ETO and NO LESS demos. I only made about 700 (because I was low on cash) but I think the original purpose worked. People heard these bands, and some people liked em enough to ask em to do future projects.

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